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(Editor's Note: I am very pleased to make this collection of articles and letters available on this website and wish to thank the following organizations and individuals for granting permission to reprint their materials: the Biblical Archaeology Society and Bridget Young, its Executive Director, Gary Vikan, Walter C. Albert Dreisbach, Mark Guscin, Joseph Marino, Emanuela Marinelli, Gino Zaninotto, Dr. Mc Crone - Sidebar to Original Article Letters to the Editor - Reader responses published by Biblical Archaeology Review Deconstructing the "Debunking" of the Shroud by Daniel Scavone and an international group of researchers - Previously unpublished responses to the article Comments on the Radiocarbon Dating of the Turin Shroud by Dr. Karlheinz Dietz, John Markwardt, Mario Latendresse, Rev. Debunking The Shroud: Made by Human Hands by Gary Vikan - Original Article reprinted from Biblical Archaeology Review The Shroud Painting Explained by Walter C.
And in fact, were it in any way to look like a work of art-something made by human hands-this would imme-diately disqualify it from being what it is supposed to be: an acheiropoietos. Guillermo Gonzalez for sending me the issue of BAR with the Shroud article last November and encouraging me to act on it.Stephen Mattingly - Previously unpublished response to the article "A Letter to Hershel Shanks, Editor of BAR" by Dr.The most characteristic form of acheiropoietos, however, is the holy cloth. Veronica stepped forward to wipe the sweat from Jesus' brow as he stumbled toward Calvary, and her towel already transformed into a relic through that holy contact miraculously retained the image of Jesus' face.Known as Veronica's Veil, the relic became one of the most famous acheiropoietai of the Middle Ages.* Another such cloth image (also generated by perspiration) was produced on the night of the betrayal, as Jesus prayed intently at Gethsemane.